“Sanshangong” revolves around three vital concepts: xing, ting, and ming.
De-focus upon any one of these and the essence of “Sanshangong” spontaneously combusts!
Xing
(pronounced: Sing). Often compared to karate’s 'kata' and thus defined as a simple routine or sequence containing blocks, punches, kicks, and strikes, this is quite wrong, for the “Sanshangong” student sees the need for a little more substance to his or her understanding, hence the use of the Chinese character, Xing.
The Chinese dictionary defines Xing as shape, form, and pattern. Personally, I prefer to go with ‘shape’ because it is my outlook upon “Sanshangong” training that as one becomes more and more familiar with a certain exercise/practice, one actually begins to add both worth and substance to one’s movements and is thus continually re-shaping that particular exercise/practice. Having a basic shape provides the perfect platform for future building, development, and understanding as one begins to realize that the seemingly empty bag of apparent nothingness soon begins to fill-out adding, in this way, more and more shape and value to the shapeless bag it was before.
As one develops, as one matures, as one changes, and as one grows, one’s shape is also going to change…and how so naturally, too! Though many are averse to change, disliking it, distrusting it, and finding nothing within it but negativity, Change is actually natural, unstoppable, and necessary if advancement, maturity, and evolution are to take place.
Ting
The ting aspect of “Sanshangong” reflects the importance of listening – a Chinese wushu (martial arts) concept revolving around the principle of touching arms with a partner so that each may read the intentions of the other. Such a practice allows one to become extremely sensitive to touch whilst heightening one’s awareness to the point where one will become very much ‘open’ to all kinds of interpretation when it comes to reading another’s fighting strategy.
Similar to Taiji’s “tuishou” (Taiji’s “pushing hands”) and similar to Wingchun’s chisao (Wingchun’s “sticky hands”), the practice of tingshou (to give this listening hands exercise its full title) permits exploration, experimentation, and discovery of the application of Xing which leads ultimately to Ming. Indeed, tingshou provides the very breeding-ground where new ideas and creations are born out of a practice which is meditative, creative, stimulating, and invigorating.
Ming
Ming indicates clarity, brightness, and knowledge. It is the first Chinese character of the expression mingbai which means to understand. As a result of training in xing one learns how to explore and advance such conceptual movements by way of ting (tingshou) which will then allow the student to apply this when it comes to “Sanshangong’s” pair-work - where one partner attacks and the other defends. Within this two-person exchange, Ming is achieved and further developed. So, Xing plus Ting equates to Ming, yet each component is as important as the other.
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