The Art-form in question is “Sanshangong” – a collection of time-honoured Animal-based exercises that originate from faraway villages in Fujian – a south-eastern province of Mainland China.

Isle of Wight  Martial Arts


Chinese Kung Fu


Isle of Wight UK


Welcome To The “Wight Wushuguan


The Isle Of Wight’s first full-time Martial Arts school where you will learn a very special and centuries-old Art-form not to be found anywhere outside Mainland China - and not even taught (since the passing of my Master, the late Master Guo Kong Xi) in China itself!

The Art-form in question is “Sanshangong” – a collection of time-honoured Animal-based exercises that originate from faraway villages in Fujian – a south-eastern province of Mainland China.


Simon T. Lailey

Founder/Chief Instructor

Kung Fu Isle of Wight UK


Over the decades, these exercises were absorbed into the southern branch of the famous Shaolin Temple (the famous if not infamous ‘Nanshaolinsi’) where they were preserved as health-based and health-promoting exercises that also helped to develop meditational ability as well as functional self-defence skills. Yet much more than this, these elaborate and poetic modes of movement and mobility also addressed another essential if not crucial aspect of Chinese culture – the aspect of prophylactic (or preventative) medicine.

As China was, for centuries, a very poor nation where health was the responsibility of the individual, these martial and meditational exercises also served as the most purest form of what we now refer to in the West as tCm – traditional Chinese medicine. Pre-dating Acupuncture, pre-dating Tuina (Chinese massage), and pre-dating Reflexology, these animal-based exercises (usually refered to incorrectly as “kung fu”) were absorbed into the daily routine of the Chinese people for it permitted them to tap into one of the World’s most sought-after secrets – the secret of immortality (longevity).

Sanshangong is a very deep practice – one that is essential if you are to conquer many of the 21st Century’s body-based and mind-based problems, as the World has long-since entered into what one may justifiably call “The Lazy Era” - where the West is now on an inevitable collision-course with self-destruction. Yet masked and hidden within the depths of “Sanshangong” are the answers to such problems. Regular and focussed practice will allow you to find them, uncover them, and reveal them for your own personal use.



What Is “Sanshangong” And What Does It Mean?

“Sanshangong” is a medium-speed practice that bring together under one roof
a whole host of basic yet essential exercises unique to several schools of Chinese 'gongfu'.

Literally translated from the Mandarin Chinese language, “San” means “Three” whilst the character “Shan” means “mountain(s). The Chinese character “Gong”
is the same “gong” as in “Gongfu” (kungfu) and refers to “work, effort, and strength”. When the two Chinese characters “San” and “Shan” are written together (“Sanshan”) this will strike a chord with local Fuzhou people because “Sanshan” is the Ancient and poetic name for “Fuzhou City”, the location within Fujian province where I first learnt the very foundation for Sanshangong.

So, “Sanshangong” essentially refers to Traditional and Classical Chinese Martial Arts based upon the local and indigenous culture of Fuzhou – both the City and the outlying area which the locals call “Fuzhou Area”.

Neither a style of Chinese wushu (traditional Chinese martial arts) not a system of Chinese gongfu, it is a collection of concepts and principals expressed by way of various Forms (taolu) and two-person training methodologies.




The Essential Trilogy Of “Sanshangong

“Sanshangong” revolves around three vital concepts: xing, ting, and ming.
De-focus upon any one of these and the essence of “Sanshangong” spontaneously combusts!

Xing
(pronounced: Sing). Often compared to karate’s 'kata' and thus defined as a simple routine or sequence containing blocks, punches, kicks, and strikes, this is quite wrong, for the “Sanshangong” student sees the need for a little more substance to his or her understanding, hence the use of the Chinese character, Xing.

The Chinese dictionary defines Xing as shape, form, and pattern. Personally, I prefer to go with ‘shape’ because it is my outlook upon “Sanshangong” training that as one becomes more and more familiar with a certain exercise/practice, one actually begins to add both worth and substance to one’s movements and is thus continually re-shaping that particular exercise/practice. Having a basic shape provides the perfect platform for future building, development, and understanding as one begins to realize that the seemingly empty bag of apparent nothingness soon begins to fill-out adding, in this way, more and more shape and value to the shapeless bag it was before.

As one develops, as one matures, as one changes, and as one grows, one’s shape is also going to change…and how so naturally, too! Though many are averse to change, disliking it, distrusting it, and finding nothing within it but negativity, Change is actually natural, unstoppable, and necessary if advancement, maturity, and evolution are to take place.

Ting
The ting aspect of “Sanshangong” reflects the importance of listening – a Chinese wushu (martial arts) concept revolving around the principle of touching arms with a partner so that each may read the intentions of the other. Such a practice allows one to become extremely sensitive to touch whilst heightening one’s awareness to the point where one will become very much ‘open’ to all kinds of interpretation when it comes to reading another’s fighting strategy.

Similar to Taiji’s “tuishou” (Taiji’s “pushing hands”) and similar to Wingchun’s chisao (Wingchun’s “sticky hands”), the practice of tingshou (to give this listening hands exercise its full title) permits exploration, experimentation, and discovery of the application of Xing which leads ultimately to Ming. Indeed, tingshou provides the very breeding-ground where new ideas and creations are born out of a practice which is meditative, creative, stimulating, and invigorating.

Ming
Ming indicates clarity, brightness, and knowledge. It is the first Chinese character of the expression mingbai which means to understand. As a result of training in xing one learns how to explore and advance such conceptual movements by way of ting (tingshou) which will then allow the student to apply this when it comes to “Sanshangong’s” pair-work - where one partner attacks and the other defends. Within this two-person exchange, Ming is achieved and further developed. So, Xing plus Ting equates to Ming, yet each component is as important as the other.


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